This is the first piece that was laid onto the board.

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This is the first evidence of the concept of The Board removing itself from the constraints of the tangible world, collage, and the medium of the board itself.

Though the digital format is an important part of The Board's presentation, from here, digital construction of imagery is introduced.

Typically before any changes are made to The Board my imagination makes the changes, and the process is carried out intangibly before hands are laid on the medium.

This is the stage prior to change.

Bulbs, fruit, and songs are harvested from the blackness. The black is undressed from the medium, and exposes the previously known jagged edges of mountains and clotted blood: wilderness and wounds.

Here, I learned that the blackness represented a true black out of The Board's Landscape. It was as if the light that shown on the territory had been eclipsed.

With the darkness uncovered, the ruins of a land that once was vibrant with life, is seen in desolation.

An immediate pillage of the remaining goods begins.

Monuments that were once erected in commemoration are destroyed and leveled flush.

The remaining wildernesses in the bottom corners--as well as the comets coma--are left for the end.

Ornaments, Bones, and Structure are collected for research and remberance.

Topigraphical evidence also is preserved.

Destruction of the land begins. Only the collected specimens remain.

The remains of The Board are collected, and mounted for viewing, along with the hollowed out gourd collection previously for "Bulbs".

This is The Board's final and complete form.

New foundation has been found to plant the bulbs that remain.

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